I was a dummy. Actually I made a dummy. A book dummy. As a picture book author, you have to be aware of how your words will flow on a page and a book dummy is a great way to assist you.
Diane Hess, executive editor of Scholastic Press said, “A book dummy shows that you have a sense of how your picture book will be paced. This can be achieved through a thirty-two-page sketch dummy.”
When I created my first book, No Chicken For Joe, a book dummy helped me visualize the pagination and pacing of my words.
Although I am no illustrator, I sketched in pencil some general characters and scenes. It was important to me not to have too many words on each page, while keeping a cadence and rhythm to the story. Although it is not a rhyming book, I felt there needed to be a continuity of sorts.
As Meredith Mundy, executive editor of Sterling Children’s Books said, “I’d much prefer to see a project in rough form…”
If I WERE an illustrator, I would take two of the pages and make them finished pieces so the publisher could see what the final art would look like. Sketches don’t really convey a finished style which is what they want to see. The book dummy very clearly show’s the author’s vision for the book.
Here is a great .pdf on book dummys.
I am no longer a dummy about book dummys!